Stun Your Friends with Incredible Animations A StepbyStep Solidworks Render Animation Tutorial

Set your reactions to stun. Your TSPP will love our LED conversion kit. You don't win friends with incandescents (as was the style at the time), so this comes with everything you need to replace them all at once. We use non-ghosting bulbs, so any flickering you might experience with other LEDs will be un-possible.

In addition to all the normal general illumination bulbs and playfield inserts, this kit includes color changing bulbs for the Nuclear Plant Cooling Tower pop bumpers! And I, for one, welcome our new LED overlords.

This kit can be ordered to include the LED OCD board, which helps replicate the smooth fading of playfield insert lights. (Though it is more expensive the standard kit in terms of cost). TSPP uses more a lot of fading effects on inserts, so if you want the best results when converting to LEDs, get the board. If you're not picky, and you don't get the board, you probably won't notice. You are so smart, S-M-R-T.

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The non-OCD version of this kit uses non-ghosting bulbs in the inserts. However, the OCD version of the kit uses regular LEDs, which perform better with the OCD board.

Each bulb is chosen by hand and tested in a real machine before being included in this kit. We spend an unreasonable amount of time putting these together, and believe it shows in the final product. Pinball: the cause of, and solution to, all of life's problems.

We believe that many complaints about LEDs being too bright stem from too many LED flashers. My eyes, ze googles do nothing! As such, we leave them out in our games but there is an option above to have them included in the kit we send you (at an additional charge).

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Looks awesome in person. If a picture is worth a thousand words, how many is this 55 second video of the kit worth?And then Princess Leia is instantly incapacitated, and then captured. The line has always intrigued me. A big part of the reason why is that it was the line of dialog that the Stormtrooper button played on the Kenner Imperial Troop Transport. I can't stress to you how amazing that was to have a little piece of the movie at home in the days before VHS home movies were a thing. But I was just watching A New Hope the other day, and something struck me. The E-11's stun setting is too effective to have only been used once in live action. Stun weapons were a big part of Bad Batch season one, as well as the final episodes of The Clone Wars. But I want to talk about about a couple of live-action sequences where it might have been the perfect weapon.

First let's talk about the effect itself. The Stormtroopers are notoriously inaccurate to the point that it has become an in-universe joke:

Unlike the blaster bolt, the stun setting fires an ever-expanding circle. It's virtually impossible to miss the target, as evidenced by how easily the Stormtroopers subdue Princess Leia on the Tantive IV. Wouldn't this have been a more effective weapon choice for the anti-marksmen Stormtroopers?

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Aside from that general statement, we need to examine two specific situations. There was a massive Stormtrooper presence on Cloud City when Luke arrived. Darth Vader's mission was to capture, and not kill, Luke Skywalker. He devised an elaborate James Bond villain scheme to freeze his son in carbonite. Once he lured Luke to the carbon freezing platform, wouldn't a better and simpler plan have been to have some Stormtroopers pop out of hiding and fire a volley of stun blasts at him from all directions? It seems like escape would have been impossible.

Another scene happens to be one of my gear grinders from the recent Obi-Wan Kenobi series. It's a scene I wrote about HERE. When the Stormtroopers have Obi-Wan pinned in an underwater corridor of Fortress Inquisitorious, they fire a blaster volley at him, eventually compromising the glass that is keeping the seawater at bay. This is the equivalent of firing a gun inside a pressurized airplane. It seems like the E-11's stun feature was purpose-built for that exact scenario, yet it wasn't even considered.

Hopefully you've gathered that I'm not seriously bothered by this. There are storytelling reasons why these choices were made, but I like these Saturday articles to occasionally have a quirky talking point. Or a memberberries talking point, which I worked in with the Kenner ITT comment (score!). But that recent viewing of Episode IV did make me go hmmmm for a moment.Inkscape, the free scalable vector graphics alternative to premium software like Adobe Illustrator, has held numerous “About Screen” contests over the years as a way to get the Inkscape community involved in the software’s design. It has also provided an outlet for Inkscape artists to showcase their many talents.

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In each contest, one winner is declared based on whichever design receives the most votes from the Inkscape and free software community. The winning design is then displayed on the very first “About” screen that pops up every time you open the software.

The previous About Screen Contest, held for the major Inkscape 1.0 release, was won handily by artist Bayu Rizaldhan Rayes’s entry, “Island of Creativity, ” which clearly stood out above the other designs with its unique composition and ability to successfully create cohesion between myriad design elements.

Rayes’s intricate work accomplished two major things for the Inkscape program – it raised the profile of Inkscape 1.0 by exemplifying what the program could accomplish, while also raising the bar for future Inkscape About Screen Contests.

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On February 21, 2021, Inkscape wrapped up its latest About Screen Contest for its upcoming version, Inkscape 1.1, receiving 83 qualified submissions from vector designers across the Inkscape community. The works submitted this time around are truly incredible, and are a testament not only to how far free graphic design software has come, but also to how diverse the free software community is both in terms of the nationalities of those submitting entries and the style of artwork displayed in those entries.

Below is a showcase of what I think are the stand-out entries from the Inkscape 1.1 About Screen Contest, as well as what I love about each entry showcased. Don’t forget to vote on your favorite entry before the contest closes (you’ll need to create a free account on the main Inskcape site – voting ends Feb 28, 2021)!

For starters, the overall composition is highly imaginative: it playfully depicts an autonomous painting robot creating a still-life portrait of a nearby potted sunflower.

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Another element that makes syukri’s piece work is the unconventional choice of color palette and textures. Rather than going with a traditional “steel” aesthetic for the robot, the artist has instead decided to use what appears to be wood for the robot’s body, with blacked-out metal accents for the robotic skeleton and matching black chords that presumably control the moving parts of the machine. Using wood instead of steel not only makes the robot more approachable, in my opinion, but also makes it seem more like something you’d see a startup or community create rather than a large robotics company. This, in my opinion, fits with the theme of Inskcape being an open source community of developers and users.

Additionally, the peripheral devices surrounding the robot give it tons of character and evoke abstract-realism. One example of this is the computer-kiosk lit up with the Inkscape logo that appears to be the robot’s control center. Another example is the surveillance camera pointed at the sunflower that acts as the “eyes” for the robot – made more obvious by the light beam coming from the camera lens itself. These little clever touches of detail help bring the composition to life and show the artist took extra care to design this scene.

Keeping these elements grounded in approachability are the more innocent aspects of the piece – including the artist’s “palette” where the robot is dipping its paintbrush, as well as the little canvas and easel set up in front of the robot. Finally, the actual image the robot is creating – the adorable painting of the imperfectly-replicated sunflower- is the final element that makes the robot seem friendly if not almost human.

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Though the overall scene created by syukri seems simple and playful, it is actually quite complex when you consider that almost the entirety of the design was done on what appears to be an isometric grid, giving the piece additional depth and perspective. Plus, when you zoom in on individual objects, you can see how much detail went into shading the illustration to create realistic lighting, inset elements, and additional areas of texture on pieces like the wood canvas.

Tying this illustration to the Inkscape theme, outside of the obvious fact that this is a vector illustration done in Inkscape, are the nodes and paths surrounding the sunflower and drawn above the robot. These design touches bring visual balance to the artwork. Additionally, the reference to some of Inkscape’s tools like Node Selection tools and the